Italian National Cinema 1896-1996 (National Cinemas)
Pierre Sorlin
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
Anno:
1996
Lingua:
english
Pagine:
216
ISBN 10:
041511697X
ISBN 13:
9780415116978
File:
PDF, 3.20 MB
IPFS:
,
english, 1996